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◈ instruments · nothing leaves your browser ◈

ARTIST TOOLS

everything below runs on your machine · no accounts, no uploads, no server

WAV → ABLETON

WAV QUIETER

how far down every WAV leaves the site. a machine finishes its sound at its ceiling, about -1 dBFS; at -6 every file comes out 6 dB quieter and goes into the premaster as it is, nothing to turn down by hand. the sound inside stays the same, and every file goes down by the same amount, so stems still add up to their mix and a loop stays where it sat under the kick. kept in this browser for every machine.

TREK

eight machines, one track: they share its tempo and its key

KUVALDA·77

a layering station for the bochka kick

a stack of struck layers with your own samples in it, one dice, and a rumble made out of the kick that leaves as its own file.

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NEO·77

the neo bochka kick, thrown in layers

throw sixteen layered kicks at a time, turn the one under your hand, hear it as a beat at your tempo and take the wav. the creature beside the wave changes shape with every kick.

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ZHEST·77

hats and the loops they play

throw sixteen metal hats at a time, keep one of each kind, then throw four-bar hat loops for that kit and take the loop, the stems or the midi.

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LOM·77

percussion and the grooves it plays

throw sixteen toms, rims, claps, metal, noise or blips at a time, tame or wild, keep one of each, then throw four-bar grooves for that kit and hear them over a kick and under hats.

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TSEKH·77

the factory floor under the track

hum, ventilation, crackle, metal groans and distant presses cut from stretched hits on the key, as a seamless loop of sixteen, thirty-two or sixty-four bars that changes over every sixteen.

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UROD·77

impossible one-shots and fx

metal that melts, a skin that sings, glitch hits, reverse sucks, risers, stutters and tape stops mangled out of real hits, on your tempo and in your key, eight at a time.

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SPEKTRALYZE

spectral chaos, as loops

hits or your own sound rung through spectral resonators on the key, frozen, stretched, delayed bin by bin, run backwards and broken, as seamless loops of whole bars on your tempo.

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SHUM·77

the noise bed, pumped by the kick

hits of the family and of the shelf mangled into crackle, hiss and grit, rung on the key, ducked by a four on the floor and looped on whole bars.

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GUL·77

noise from the air to the sub, and rumble

one noise slid from 16 kHz down to 25 Hz, played in rhythms on the sixteenths, shifted into a rumble that ducks under the kick, or rung as a sub on the key.

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BOČKA

make the hit

SCHIZO

take a sound apart, build it back wrong

SCHIZO·77

the wave is the interface

grab the wave with your fingers and stretch, smear and stack it while the original stays untouched.

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SCHIZO KICK

a square, wide, clipped kick

a flat-topped kick, a walking rumble, ghost kicks and a pack of odd stereo fx from a seed, as a zip.

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NEO RUMBLE

a rumble made of your kick

your kick read slower and slower, its pitch never standing still, the rumble dancing between the hits and ducking under each one.

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SEED·77

a pack of seeds for schizo

nothing to start from? take a pack of raw hits in the key of your kick and throw them at SCHIZO·77.

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LAYER·77

a layer from the same wave

lay a layer over any sound made from that very wave: more punch, heard on a phone, dirt without hiss.

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DROBILKA·77

every distortion of the site in one chain

a kick or any sound through boxes band by band, the sub kept clean, one big control for how hard, a dice for whole recipes, before and after at one loudness, and a picture of the sound being wrecked.

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MICRO·77

sixteen microsamples from any sound

drop any sound and get sixteen tiny cuts from the places where something happens. keep the good pads, throw the dice for the rest.

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SVALKA·77

a pile of sounds stacked into one loop

throw any sounds on the pile, layer cuts of them over beats or on steps, stretch and pitch each one, shuffle whole loops out of the pile, run the loop through the rack and take it or its stems into Ableton.

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UKACHKA·77

a sound walked round your head

drop any sound, draw where it goes between the ears and how far away, or throw a pattern no hand could repeat, and take the loop into Ableton.

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CODEC·77

neural codec corruptor

feed a kick to a neural codec, rot its guts and let the network sing back whatever is left.

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КОПИЯ

copy machine: the track again, under itself

drop an instrumental or a loop, press generate: a copy through a spectral resonator, cut under 200 hz, with haas, gate, halftime, swell and grains laid phrase by phrase.

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RITM

put it on a grid, grow a track

ŽIVJOM

play it in front of people

GOLOS

voices

RAZBOR

pull a finished track apart

VIZUAL

pictures, text and screens

LAB

benches and a machine from next door

LAB·77

a bench, not an instrument

throw random settings at a voice and hear if the space is worth having at all.

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DC·77

data corruptor

a seeded generator of collapsing sound, long atmospheres and rumble, straight to wav for the daw.

another workshop · not here yet