UROD·77

THROW makes 8, 16 or 32, your pick. each is a real hit (a struck maker, a neo kick, a sample off the shelf or one of yours) cut, stretched, stacked at several speeds, turned to grains, scrubbed, reversed, stuttered and pushed through a dirt box. the strange kinds go further: FREEZE smears a moment into a hum, CROSS convolves two hits into one body, VOCODE makes noise talk through metal, SCREAM feeds a hit into a delay network that howls, CHAOS ring-modulates it with its own output, SHUFFLE deals it out of order, WAVESET cuts it at its zeros and puts the pieces back wrong, CABLE strikes a dirty string with it. BARBER feeds it to a frequency shifter in a delay, so every echo falls a step further and the stair never ends. INVERT turns its spectrum upside down like an old radio scrambler. LASER pulls each hit out into a chirp through hundreds of allpasses. XOR crosses two hits bit by bit, a cable broken between two machines. PRISM delays every partial on its own, so a hit becomes a glissando. SCRAMBLE deals its partials out again and leaves the rhythm. RIDE lets it drive its own tape: it races where it is loud. MUTANT is a chain the dice builds from all of these and resamples into itself. tap a cell to hear it. liked one? MORE LIKE THIS keeps it first and fills the pack with close ones, again and again.

risers, sucks, stutters and tails are whole beats at the tempo of the track, and whatever has a pitch is moved onto its key. change either and the same pack is made again in place. the tempo and the key are shared with the other instruments of the family.

urod·77 · matzkaim · every sound is made in this page